By incorporating Biblical references into his novel, one can see that Alan Paton is a religious man and feels that faith will give hope to his beloved country. Throughout the entire novel, Alan Paton continuously uses references to the bible and while some are not very apparent, most of them are considerable evident. At the start of the novel, Alan Paton introduces Stephen Kumalo, a native priest in the small village of Ndotsheni. The reader soon learns that he is the protagonist of the novel.
Lines like, "It was not his habit to dwell on what could have been, but what could never be. We believe in the brotherhood of man, but we do not want it in South Africa. We believe that God endows men with diverse gifts, and that human life depends for its fullness on their employment and enjoyment, but we are afraid to explore this belief too deeply.
We believe in help for the underdog, but we want him to stay under. And we are therefore compelled, in order to preserve our belief that we are Christian, to ascribe to Almighty God, creator of Heaven and Earth, our own human intentions, and to say that because He created white and black, He gives the Divine Approval to any human action that is designed to keep black men from advancement.
Paton touches on almost every level of trouble in post-colonial South Africa: Paton does not rub this in your face; even his foreward explains that several of these people are real or are based on real people, and his praises those who are working towards a better world.
This novel is every ounce about trying to do something. There are good people stuck in all of this, and from the very first chapter you get a sense that this is, if not a good place, then a place that could be truly great.
The difference between Alan Paton here and Edith Wharton or Nathanael West in much of their writing is that the disappointment does not permeate the tone and the myopic view does not bias the story.Cry, the Beloved Country is a wonderfully written and powerful novel that takes the reader on a roller-coaster ride of emotion.
From the depths of despair, Paton shows his readers a nugget of hope. From utter desolation, Paton gives us a measure of courage/5(). Moderation / Criticism / Exposition / Exposés David Aaronovitch.
Catholics try, rather unconvincingly, to show how conferring sainthood is different in principle to the pagan apotheosis (the process that made Claudius, for instance, into a God), but the distinction doesn't quite wash.
. BIBLICAL ALLUSION IN CRY, THE BELOVED COUNTRY The use of Biblical allusions and references is evident in Alan Paton’s Cry, the Beloved Country/5(1).
In Alan Paton's note on the edition of Cry, the Beloved Country, he tells us a story: apparently, when the first two readers of his manuscript, Aubrey and Marigold Burns, asked him what he wou. is and in to a was not you i of it the be he his but for are this that by on at they with which she or from had we will have an what been one if would who has her.
Complete your review with the Cry, the Beloved Country Literary Analysis chapter exam. Gender Roles in Cry, The Beloved Country.
In Alan Paton's classic novel of South Africa, 'Cry, The.